[49], Houston originally hoped that the film would earn a theatrical release. [107], Although Houston and Brandy's on-screen pairing was highly anticipated, the supporting cast of Peters, Goldberg and Alexander ultimately garnered most of the program's praise. "[65] However, the film's budget is one of the lowest among the contemporary Cinderella adaptations. "[52] Despite the fact that Hammerstein's will states that altering his work is prohibited,[56] James believes his father would have appreciated Ebb's contribution since the songwriter had been known to enjoy collaborating with new lyricists. You might also like See More Riding High. It is a remake of the Rodgers and Hammerstein's television movie musical, and the only one of the three versions to be shot as a film. 'Cinderella' becomes the servant of the house. [36] Whoopi Goldberg accepted the role of Queen Constantina because Cinderella reminded her of a period when television specials were "major event[s]" before home video made such programs available and re-watchable at virtually any time, and hoped that the film would re-introduce the tradition of watching it live and "become part of the fabric of our lives again. [4][19] The film has a total of five executive producers: Houston, Chase, Zadan, Meron and David R. [108] Television critic Howard Rosenberg, in a review for the Los Angeles Times, described Brandy's singing as superior to her acting, resulting in "a tender, fresh Cinderella". With her Fairy Godmother's warning that the spell will only last until midnight, Cinderella leaves for the ball. Ginsburg. [21] Although the stage musical Annie had already been adapted as a film in 1982, the film was considered to be a critical and commercial failure. [4], According to Ray Richmond of Variety, Freedman's teleplay is faster in pace and contains more dialogue than previous versions,[2] although A Problem Like Maria: Gender and Sexuality in the American Musical author Stacy Ellen Wolf believes that the teleplay borrows more from the 1957 version than Joseph Schrank's 1965 version due to sharing much of its humor, dialogue and gender politics with Hammerstein's book. [39] The telecast aired to over 60 million viewers who watched at least a portion of the film,[9] becoming the most-watched television musical in several years and earning more viewership than 1993's Gypsy. (Rating bulletin 2680 (cert #52631), 5/12/2021) Running Time: 113 minutes. [28] A BET biographer referred to the production as a "phenomenon" whose cast "broke new ground. [9] Hirschhorn interpreted the film's success as an indication that "there is a huge family audience out there for quality programming," expressing interest in eventually "fill[ing] in the ground between feature animated musicals and Broadway". [16] Houston arrived at the reading several hours late, by which time some of the actors had grown frustrated and weary. csl plasma price per donation. Our heroine (Camila Cabello) is an ambitious young woman, whose dreams are bigger than the world will . With his parents' blessing, Christopher declares that he will marry whoever fits the slipper, even if it means trying it on every maiden in the kingdom. [9], In his book The Cambridge Companion to the Musical, author Nicholas Everett identified Rodgers & Hammerstein's Cinderella among important television musicals that "renewed interest in the genre" during the 1990s,[54] with Playbill recognizing it as "the resurgence of televised movie musicals". '", citing its diverse cast, combating of sexist stereotypes often depicted in other Disney films, and empowering themes that encourage children to make their own dreams come true as opposed to simply "keep on believing" among "three important reasons the 1997 version has maintained relevance today. [123] According to Vulture.com entertainment critic Matt Zoller Seitz, both productions "stood out for their lush production values, expert control of tone, and ahead-of-the-curve commitment to diverse casting. "[46] Theater director Timothy Sheader found the production "harsh and unmagical". Disney's recent streak continued over the weekend with the $70.1 million North American debut of its traditional, sumptuously costumed fairy tale adaptation "Cinderella," according to studio . MPAA Rating: PG for suggestive material and language. Cinderella (Signature Edition) (10,859) 7.3 1 h 14 min 1950 X-Ray G. Beloved by generations of fans, Disney's timeless classic Cinderella is now part of the Walt Disney Signature Collection and the prestigious National Film Registry. [19][24][25] Houston believed that Brandy possessed the energy and "wonder" to play Cinderella convincingly, admitting that their fictional relationship as godmother and goddaughter translates "well on-screen because it starts from real life";[4] when Houston telephoned Brandy to offer her the role, she introduced herself as her fairy godmother. Box Office. However, she called Montalban "perfectly charming" and "The real fairy tale". "[41] While lauding Brandy and Montalban's efforts, James described the film's feminist re-writes as "clumsy" and accused it of wasting Houston's talent. Our countdown includes it had a huge budget, the stepmoth. Rodgers & Hammerstein's Cinderella (also known as simply Cinderella) is a 1997 American musical fantasy television film produced by Walt Disney Television, directed by Robert Iscove and written by Robert L. Freedman.Based on the French fairy tale by Charles Perrault, the film is the second remake and third version of Rodgers and Hammerstein's musical, which originally aired on television in 1957. [80] The broadcast attracted a particularly high number of younger audience members, including children, teenagers and young adults, in turn making Cinderella the television season's most popular family show. MPAA G. Running Time 1 hr 14 min. [20] The film was co-produced by Walt Disney Telefilms, Storyline Entertainment and Houston's own production company BrownHouse Productions,[12] becoming the latter's first project and Houston's executive producing debut. Semenjak itu beliau telah terlibat dalam pelbagai filem, melakonkan pelbagai watak. "[2] While praising Brandy's subtlety, Richmond found Houston's interpretation of the Fairy Godmother to be an overzealous, "frightening caricature, one certain to send the kids scurrying into Mom's lap for reassurance that the good woman will soon go away. [20] Performed while they prepare for the ball,[54] the song was offered "a driving, up-tempo arrangement" for Peters. "[36] Due to the well-known cast, tabloid newspapers often fabricated stories of the cast engaging in physical altercations, particularly among Brandy, Houston and Goldberg, all of which were proven false. TV Shows. ", "TV's Hit "Cinderella" Musical May Waltz to the Stage", "Rodgers and Hammerstein's Cinderella (1997) Miscellaneous Notes", "Cinderella, Michael Crawford, Stomp Get Emmy Nominations", "Stage to Screens: Storyline's Zadan and Meron Discuss TV 'Music Man', "7 Cinderella Movies Ranked By How Charming Their Love Stories Are", "Cinderella's Gown Throughout the Decades Brandy Norwood in Rodgers and Hammerstein's Cinderella", "EXCLUSIVE: Rodgers and Hammerstein's 1997 Cinderella Makes a Strong Case for DiverseNot Color BlindCasting", "The Whitney/Brandy Cinderella Was One of the Most Important Movies of the '90s", "7 Memorable Movies from ABC's The Wonderful World of Disney", "Disney's 'Wonderful World' spins again on ABC", "Whitney Houston, superstar of records, films, dies", "Bobbi Kristina Brown Through the Years (Photos)", "Behind 'The Princess Diaries,' a Regal Eagle", "ABC HAS 'CINDERELLA' NIGHT (Entertainment/Weekend/Spotlight)", "Cinderella and Oprah help ABC to season's first ratings win", "Commentary: Critics ridiculed Brandy's 'Cinderella.' . [8] In 2007, theatre historian John Kenrick dismissed the film as "a desecration of Rodgers & Hammerstein's only original TV musical" despite its popularity, advising audiences to only watch the previous versions of the musical. "[147] Khoo observed that the film continues to be constantly praised in social media by fans who had grown up with the film for its diversity, concluding, "With so much talk about the lack of diversity in Hollywood these days, Rodgers and Hammerstein's 'Cinderella' is a shining example of the diversity we need. "[51], Martha Tesema, a writer for Mashable, called the film "the best live-action princess remake", writing that it "deserves just as much praise now as it did then. Cinderella explains that she can only imagine what it must have been like, and they briefly bond over the memory, only for the Stepmother to soon recognize Cinderella as the mysterious princess with whom the Prince danced and insisting that she will never be more than a common girl. [63] According to A. J. Jacobs of Entertainment Weekly, the film's budget was approximately four-times that of a typical television film. "[44], Rodgers & Hammerstein's Cinderella was the first time the "Cinderella" story was adapted for a racially diverse cast,[4] having been conceived in this format from inception. [49] Although well-received by audiences,[27] Cinderella premiered to generally mixed reviews from most critics,[89][98][99][100] who were critical of some of its songs, cast and feminist approach,[34][41] at times deeming it inferior to the 1957 and 1965 versions. For example, 2017's Beauty and the Beast, 2019's Aladdin and Lion King each surpassed $1 billion in box office earnings. Genres Adventure Drama Family Fantasy Romance. [20] Houston described her character as "sassy, honest and very direct all the things that you'd like a godmother to be. [20] Furthermore, Alexander insisted that Lionel be different from his Seinfeld character George Costanza, despite Freedman originally writing several in-jokes that alluded to Alexander's most famous role, prompting him to revise several of the actor's scenes accordingly. [35] Due to the film's child-friendly message, children and family members of the cast and crew visited the set regularly, including Houston's daughter Bobbi Kristina Brown and husband Bobby Brown. [37] Cinderella and the prince are also shown meeting and developing an interest in each other prior to the ball,[38] lessening the "love at first sight" element at the behest of the producers, by having Cinderella and the prince meet and talk to each other first,[37] an idea that would be reused in subsequent adaptations of the story. [36][70] The Brooklyn Paper estimates that Goldberg wore approximately $60 million worth of jewelry for the film. When it is announced that there is to be a 'Ball' in honour of the kingdoms Prince the wicked step-mother. [16] The producers refused,[36] insisting that "The whole point of this whole thing was to have a black Cinderella. [82] At the 50th Primetime Emmy Awards in 1998, the film was also nominated for Outstanding Art Direction for a Variety or Music Program, Outstanding Choreography, Outstanding Costume Design for a Variety or Music Program, Outstanding Directing for a Variety or Music Program, Outstanding Hairstyling for a Miniseries, Movie or a Special, and Outstanding Music Direction, ultimately winning one for Outstanding Art Direction for a Variety or Music Program, which was awarded to Julie Kaye Fanton, Edward L. Rubin and Randy Ser. Brandy Norwood, left, and Whitney Houston are part of why "Cinderella" (1997) has withstood the test of time.
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